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Figure 3 deserves careful study.
The input frame is dipping events with
amplitudes slowly changing as they cross the frame.
The dip of the events is not commensurate with the mesh
so linear interpolation is used
which accounts for the irregularity along an event.
The output panel tends to be small where there is only a single dip present.
Where two dips cross, they tend to be equal in magnitude.
Studying the output more carefully,
we notice that of the two dips,
the one that is strongest on the input
becomes irregular and noisy on the output
whereas the other dip tends to remain phase coherent.
I believe I could rebuild Figure 3
to do a better job of suppressing monodip areas
if I passed the image through a lowpass filter,
and then designed a gapped deconvolution operator.
Instead, I prefered to show you high frequency noise
in the place of an attenuated wavefront.
Next: Post filtering
Up: MONO-PLANE DECONVOLUTION
Previous: Patch utilities
Stanford Exploration Project
11/18/1997